Projects LED rental · Laser show
Enrique Iglesias · Sex and Love Tour
Over thirty concerts across Europe - the same screen, the same laser opening, a new arena every time.
200 m² P6.667 · 26 lasers · over 30 concerts · 15+ countries
The Enrique Iglesias tour: over 30 concerts in over fifteen countries, four times in Bulgaria. The same screen and the same laser opening in every arena, to the same rhythm: concert, strike the same night, drive across a border, one or two days to install, concert - a new country every four to five days, over thirty times. The hard part was not the venues - the stage is the same in every city. The hard part was that the production wanted the laser effects to go through the audience, and for that every arena wants its own paperwork.
The LED screen was ours - 200 m² P6.667 - and so was the laser show that opened every concert: 26 lasers programmed to the music, with our operator at the desk. Install and strike over thirty times, always the same crew.
Over thirty concerts with the same production - and a production designer who came back to KVANT in every next country.
“Great crew. Amazing equipment. Thank you so much for supporting all the concerts we did in Europe - Austria, Serbia… everywhere we’ve been.”
Travis Shirley, the tour’s production designer and creative director, on camera.
In numbers
- Tour
- Enrique Iglesias, Sex and Love Tour
- Concerts
- over 30, in over 15 countries; four times in Bulgaria
- Screen
- 200 m², pitch P6.667, the same one in every arena
- Lasers
- 26, programmed to the music, our operator at the desk
- Rhythm
- a new country every four to five days
- Install and strike
- over thirty times, always the same crew
- Our part
- the LED screen and the laser opening at every concert
How the work went
A tour is the opposite of a one-off concert. The stage is the same in every city, but every city is a new hall, a new floor, new rigging points and new paperwork. The screen and the lasers travel in the same cases and go up to the same drawing; what changes is the arena’s permit regime. Laser effects through the audience need documents for each venue separately, and one wrong answer in the corridor can pull the effect from the show that same day.
The rhythm was: concert, strike the same night, drive across a border, one or two days to install, concert. Over thirty times, with the same crew, who know every cable and every rigging point. That repetition is also the insurance: when something happens on stage, as it did in Bratislava, the spares are already there and the people know what to do. Since Bratislava, the threshold in our guarantee has been exactly 15 minutes.
For a similar project
A tour or a series of events is quoted differently from a single rental: the screen is counted by calendar days, and the install days between cities go into the schedule. Lasers through the audience need permission from every venue; we prepare the documents, but we ask about them at the start, not in the arena corridor. LED rental for events starts on the rental page; for a laser opening or finale, ask on the laser show page.
Video
Travis Shirley, the tour’s production designer and creative director, on camera.