You have an occasion. You have a budget. Has anyone told you what your audience will actually see?

Maybe last time you put it together yourself: one company for the stage, another for sound, a third for screens, a fourth for effects. And it went fine. If you work with an agency, bring them into the conversation about the concept and the technical production of the show.

But you know the cost: however good each company is on its own, the whole thing comes apart where one ends and the next begins. Three weeks of phone calls, everyone pointing at someone else - and on the day, if something slips, it slips right there - between two companies, where nobody is answerable.

From the occasion to the show

1. You tell us the occasion and the budget.

   One conversation. The question of ours that does the most work: “What do you want people to be saying the next morning?”

2. You get a concept, not a list.

   What the audience sees, minute by minute - with the climax described so you can see it already, and with shots from our own real shows as a reference point.

3. You choose the scope.

   We show you the full show - then what remains on a smaller budget. You decide how far to go.

4. We handle everything to do with the show.

   Set-up, rehearsal, the live show, stage management, dismantling - and, where needed, a generator, cherry pickers and security for the equipment. Permits for the site stay with you; we tell you early which ones you need. Your team looks after the guests. You watch your own event as a guest.

5. The next morning.

   You get our footage, what the audience posted themselves overnight - and an invoice with nothing on it that we haven’t discussed with you beforehand. That is the answer to the question from step 1.

Why are there no prices on this page?

Because a show with laser choreography, structures and permits can’t be priced with four fields in a form - and any number here would be a lie, one way or the other. So the price comes with the concept: one number, a final scope, in black and white.

The price you approve covers everything for the show: set-up, dismantling, rehearsal, a crew on site throughout the event. If you need a generator, cherry pickers or security for the equipment, we provide them, in the same quote, from people we have worked with for years. Site permits are the organiser’s responsibility - but we tell you early exactly which ones you need and by when.

If it rains: looking after the equipment is our job - we cover it, move it, and plan for it in the concept. The terms for postponing the date are in the quote before you sign - not made up on the day. We have done it before.

If something comes up along the way - and live, something always does - we tell you before we do it, not on the invoice afterwards.

Your event happens on one evening, and there is no second take. The difference between “it was good” and “they’re still talking about it” isn’t only in the budget - it is in who turns the budget into a show.